Smiling woman, Amanda Juliet, in yellow sweater indoors.

About Amanda Juliet

TALK ABOUT INSPIRATION IN THIRD PERSON

My journey with ceramics began later in life, though the love for it was always there. In my twenties, I studied environmental science, drawn to the beauty of nature, but I also had a creative side that I explored over the years. It wasn’t until my fifties that I finally took a ceramics course—and from the moment I touched the clay, I knew I had found my true creative passion. I was hooked! I bought my own kiln, started experimenting, and never looked back.

Now, as I step into a new chapter of life, ceramics is more than just an art form for me—it’s a way to unwind, reconnect, and express myself. I’m endlessly inspired by organic shapes, bright colours, and the simple joy of creating by hand. Through my work, I hope to inspire others to embrace creativity at any stage of life—because it’s never too late to follow your passion.

MAYBE A POINANT QUOTE HERE

I primarily use the slab-building method to create my pieces, shaping the clay with formers before carefully joining sections together using the slip and score technique.

I primarily use the slab-building method to create my pieces, shaping the clay with formers before carefully joining sections together using the slip and score technique.

To add texture and pattern, I design and carve my own stamps and rollers, pressing them into the clay to create unique surfaces. One of my favourite parts of the process is carving intricate designs into the leather-hard clay, allowing me to build up

To add texture and pattern, I design and carve my own stamps and rollers, pressing them into the clay to create unique surfaces. One of my favourite parts of the process is carving intricate designs into the leather-hard clay, allowing me to build up rich textures and imagery that bring each piece to life.

Once fully dried, my pieces are fired twice in an electric kiln. The first firing reaches 1000°C, turning the clay into a porous ceramic body ready for glazing.

Once fully dried, my pieces are fired twice in an electric kiln. The first firing reaches 1000°C, turning the clay into a porous ceramic body ready for glazing.

I apply my glazes in a painterly style, using brush-on techniques to build layers of colour and depth. I love working with vibrant, nature-inspired hues, capturing the beauty and diversity of the natural world. The satin matte glazes I use create a b

I apply my glazes in a painterly style, using brush-on techniques to build layers of colour and depth. I love working with vibrant, nature-inspired hues, capturing the beauty and diversity of the natural world. The satin matte glazes I use create a beautifully soft, silky finish—almost inviting to the touch.